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welcome | | | | | | | | | | | info | | | | | | | | | | | | | | | | click here for our online press kit. click here for our equipment | input list | stage plot. reviews | | | | | | | | | | | | | "Welcome wrings an impressive sonic diversity from the same basic ingredients--crafty bass lines, buzzing keyboards, male/female duets, intricate live drumming and programmed beats. Through clear artistic vision and good sequencing, the band veers from sunny pop to overtly dancier stuff to driving pop-rock to hypnotic grooves, never sounding as if they're painstakingly being eclectic." "...there's nothing simplistic about the songs on Fire Hugs, on which Lonergan and Rossomondo's boy-girl vocals are threaded through catchy, fuzzed-out power pop with big hooks and piles of synths and effects. At times, the lush, quirky sonics recall 90s-era Stereolab - and the bleeping and blooping retro synths bring to mind The Postal Service - but Welcome is more of a rock band at heart, delivering their ear candy in colorful, caffeinated bursts." "More substantially, the songs have more room to breathe and consequently carry more weight. Welcome keeps the same elements—pro musicianship, treated bass lines, bouyant synths, interweaving male/female vocals—but by sitting on the same beat for a while and by crafting simpler, more fluid vocal lines, they allow their melodies to sink under the listener’s skin. It’s one thing to be endearing, another to be enduring. Welcome have achieved both." "...the record solidifies the trio as ont of the area's better purveyors of electronic rock, like an electro-Sonic-Youth." |
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